Intruders
11 September 2024

single channel 2K video, 2025, 6 min 5 sec

  • 2025, World Premiere at Le FIFA – 43nd edition of the International Festival of Films on Art, Montréal (CA)
  • Awards
  • 2025, winner BEST VIDEO ART Flight/ Mostra Cinema ,Genova (IT)
  • 2025, MENTION FOR THE NIGHT AWARD in the CINEMA IN TRANSGRESSION SECTION, Festival international Signes de Nuit / Paris (FR)
  • 2026, Brussels Independent Film Festival (BE)
  • 2025, Rencontres Internationales Paris/Berlin (FR/DE)
  • 2025, Swedenborg Film Festival, london (UK)
  • 2025, BISFF Beijing International Short Film Festival, Beijing (CN)

  • 2025, ULTRAcinema Mexico, Tepoztlán, (ME)

  • 2025, LIMA ALTERNA Festival Internacional de Cine, Lima (PE)

  • 2025, RPM25 Revolutions Per Minute, Boston (US)

  • 2025, International New Media Art Festival VIDEOMEDEJA, Novi Sad, Serbia (RS)

  • 2025, FLIGHT/ Mostra Internazionale del Cinema di Genova (IT)
  • 2025, DIGERATI Experimental Media Festival, Denver (US)

  • 2025, SPLIT Film Festival/ International Festival of New Film

  • 2025, PROYECTOR Plataforma de videoarte, Madrid (ES)

  • 2025, GJON MILI International Video Art Festival (AL/US)

  • 2025, International Festival Signs of the Night, Bangkok (TH)

  • 2025, Asolo Art Film Festival (IT)

  • 2025, Istanbul International Experimental Film Festival, Istanbul (TR)

  • 2025, Hummingbird International Film Festival, Kolkata (IN)

  • 2025, Philip K. Dick Science Fiction and Supernatural Film Festival, New York (US)

  • 2025, ONION CITY Experimental Film Festival, Chicago (US)

In an elongated pan, mountain landscapes and misty images of animals are presented in an ethereal, ghostly way. Locus does not use conventional film footage, but found footage black and white photographs of UFO observations from the 1950s and 60s and online hunting videos. Although these images reveal their origins through their grainy texture, the UFOs are removed from these photos to seamlessly merge the remaining landscapes. The phenomenon of unforeseen animal death, often reported in UFO sightings, serves as a metaphor for human influence on nature. Locus intertwines photography with video to create a complex narrative that emphasizes the ambiguity of reality and fiction. The film offers an introspective look at the Western fascination and fear of extraterrestrial entities and reflects on ‘intruders’ in nature. Inspired by dystopian visions of the future Intruders explores themes of reverse colonization, ecology, and human environmental impact.